vendredi 5 décembre 2008

Death cab for cutie



Death cab for cutie is another one of my favorite bands, they are an American indie rock band formed in Bellingham, Washington in 1997. The band consists of Benjamin Gibbard (vocals, guitar), Chris Walla (guitar, production), Nicholas Harmer (bass) and Jason McGerr (drums). Gibbard took the band name from the title of the song written by Neil Innes and Vivian Stanshall and performed by their group the Bonzo Dog Doo-Dah Band in The Beatles' 1967 film Magical Mystery Tour.

Gibbard's first album, You Can Play These Songs with Chords, was released as a demo, leading to a record deal with Barsuk Records. It was at this time that Gibbard decided to expand the project into a complete band, and recruited band members to join. The band has released six studio albums, four EPs, and one demo to date. Their most recent album, Narrow Stairs, was released on May 12, 2008 in the United Kingdom and was released on May 13, 2008 in the United States.

Death Cab for Cutie's early work, on You Can Play These Songs with Chords, was heavily bland—Rolling Stone described it as "emotion through its lack of emotion". Pitchfork Media also remarked that the work on the cassette was "ultra-lo-fi". On Something About Airplanes the band's style remained similar, with some new instrumental work introduced; "flute, synth, or cello" were noted by Allmusic's Nitsuh Abebe. On We Have the Facts and We're Voting Yes the band again expanded their use of unorthodox instruments, including organ and glockenspiel. Pitchfork Media called them a "gentle niche" in the current rock climate, contrasted with bands such as Modest Mouse and Built to Spill.

Rolling Stone reviewed
Transatlanticism and commented that it contained "melodic, melancholy songs about feeling both smart and confused, hopelessly romantic but wary of love." Gibbard's voice was described as "plaintive boy-next-door" Entertainment Weekly commented on the music on Plans, saying "The lush arrangements are long on hothouse organs and pianos, but short on the squirmy guitars and squirrelly beats that, on Gibbard's best work, offset his sweet voice and borderline-maudlin poetics with a sense of emotional danger." The band's music on Plans was described by the Dallas Morning News as "a literate, whispery style, the kind of stuff that normally sounds better in headphones than in large venues".

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